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Tattoo styles

Realism

Faces, animals, eyes and objects rendered as the camera sees them, in color or black and grey, by artists who draw from life.

The style

Light and shadow, no outlines

Realism builds the image from tone instead of line: there is no outline, only the edges where light meets shadow. It demands a sharp reference, an artist who draws from life, and skin that gives the shading room.

Black and grey realism is the most common form and ages best; color realism is spectacular when fresh and needs more care in the sun, so the artist will ask where on the body it goes before saying yes to color.

Work

What to expect

Who to ask for realism

Start with the photograph

The reference decides the result. Bring the highest-resolution photo you have, with the light you want; the artist will tell you if it will work at the size you want. Realism needs size: a face smaller than a palm loses the detail that makes it real.

Leo leads black and grey realism here and Diego brings a Roman draughtsman's hand to it; Skott does faithful reproductions of paintings and photographs. Each will tell you honestly whether your reference can carry the size you want, before any deposit.

At a glance

Look
Photographic, no outlines
Ink
Black and grey or color
Size
Palm and up for faces
Sessions
One to several
Artists
Leo, Diego, Skott

Questions people ask

Will it blur over time?

All tattoos soften; realism without strong blacks softens fastest. Our artists anchor every piece with deep shadows for that reason, and a touch-up years later brings the contrast back.

Can you do a pet portrait?

Yes. Pet and family portraits are the most common realism requests. The photo matters more than anything; see the portraits page.

Why does realism cost more?

Time. Smooth tone is built in many passes, and a realistic face is often a full session on its own.